Real, raw, & relatable me. Enthusiastic food & lifestyle blogger living in Vancouver, BC!

Category: performances Page 1 of 3

A Royal Romance, Vancouver Theatre Sports League

The weather is turning, the lights are out, and Christmas is right around the corner. So leave it to the “Vancouver Theatre Sports League” to regale you with yule-time spirit and laughter in their newest improv series, “Merry Kissmas: A Royal Romance”!

Available from November 20th to December 24th, we attended their first weekend release on a Saturday night. I have attended other improv shows here before, but never on a weekend. And I must say, the day of the week certainly does make a different to your experience. The energy of a Saturday night changed the dynamic of the show. It was a sold out performance, so already there was more energy to feed off of, more suggestions were being shouted out, and a greater number of laughs came after each punch line. Although what stayed the same, was the very little number of hands being raised to come up on stage to participate in person.

It is also worth nothing that in house bar, the “Neil Macrae Barl was busy. Show goers arrived early and partook in a couple of drinks before the doors to the theatre opened. Wine was being poured into tumblers, beers were being cracked open, and their popcorn machine had the room smelling of melted butter. With bottles in buckets at tables and glasses in the hands of the audience, everyone was here for a rowdy good time.

A couple more than others, including one audience member that volunteered to help out with a skit, only to be not sober enough to understand what was expected of him. He was suppose to make sound effects into a microphone, but kept adding commentary over what the actors were trying to say. From there any volunteers were checked for sobriety. As a watcher, it was great to be able to witness the improv players on stage being able to take everything this drunk man was throwing at them, and to incorporate it into their performance with a laugh. It was disruptive for them and the rest of the audience, but we all took it on the chin and was able to joke about it subsequently. Naturally any show you attend won’t be exactly like this, that is the beauty of improv. Improv gives you the ability to watch as many of the same shows as you like, and for each one to be different, depending on the performers and suggestions given out that day.

As for the rest of the performance, the first half of the show featured improv games with wintery themes. The actors acted out the same scene as it took place in different countries. They made up dances based on winter time activities. And gave up control of their body as an audience member moved them about the stage like a living doll.

After the intermission and more wine, came the second half of the show was inspired by Hallmark Christmas movies. Theses movies are cliché and cheesy, but feel good with plenty of love and happily ever afters. Here, one audience member joined a multi scene story that played out a proposal and royal wedding before our eyes.

Overall, this is another great production by “Vancouver Theatre Sports League”, and a great way to shake off those winter blues. Improv is great for some laughs, or as a date night option, and with its wintery themes, a great way to get into the holiday spirit. For ticket information, visit their website listed below.

Neil Macrae Bar & Lounge
1502 Duranleau Street, Granville Island

Lumière 2019

Lumière Vancouver returns for its 6th year. This is the festival that sets “the city’s downtown and West End neighbourhoods aglow in spectacular fashion. The annual event that is inspired by light and artistic expression, with over 25 interactive art installations at four different sites: English Bay, Jim Deva Plaza, Lot 19, and šxʷƛ̓ənəq Xwtl’e7énḵ Square (formerly known as the North Plaza of the Vancouver Art Gallery)”. (As taken from the press release).

The origins of this one of a kind light show came from the desire to breathe life into November. Between Halloween and Christmas this month sees slower visitor traffic and an increase in cold and rainy weather. So in order to combat this trend and bring life to downtown Vancouver’s prominent areas, Lumière is lighting up the night.

From November 1st to the 3rd you can expect live performers, great music, and interactive displays. But for those who can’t make it out between 6-10pm, you can still take in several of light displays until February of 2020.

The following are some of what you can expect from each site. Each completely different, so I suggest taking the time to visiting each one. But for a more telling view and engaging experience, check out my latest vlog, now up on my YouTube channel: MaggiMei.

We started at English Bay where the art work will remain until February. Here, the light installations are all animal themed, with a goal to bring awareness to the conservation of these endangered species.

“Luna” by MK Illumination is returning for her 5th year. The iconic whale was made specifically for “Lumière” in recognition of the whales in the waters around Vancouver.

Joining her is a heron in its twinkling nest. “Stanley” by MK Illumination is named after Stanley Park, which is home to one of the largest urban great blue heron colonies in North America.

“Davie” by MK Illumination is a 24 foot tall grizzly bear. He pays homage to BC’s wilderness, in hopes of shining a light on the story of BC’s grizzlies.

“Eugenia” by MK Illumination represents the iconic oak tree that has decorated the English Bay skyline for three decades. A colour changing tree, set to the beautiful English Bay backdrop and setting sun. The original currently sits on top of the famous Beach Avenue residency, Eugenia Place.

I especially thought the daddy long legs spider was creative. An eight legged creature that offered warmth and a place to sit with real flames and faux webbing. And this weekend “Ember Art Fire Performances will be putting on one “hot” show at 6, 7, and 8pm.

Next, we took a Vancouver trolley to our second stop. And if and when you visit, so can you. They have transportation services all throughout the weekend from 5-10pm. Free shuttles looping between the 4 locations, running in 15-20 minute intervals.

“Jim Deva Plaza” on Davie Street will have live DJ’s, drag performances, visual art displays, and a beer garden from 3-10pm November 2nd and 3rd.

As for the art installations, “Tetra Velo” by Hfour is a pyramid of lights that flash and strobe. It uses public data to generate and create colour patterns.

“Chromatic Shadows” by Willie Ng consists of 6 lamps facing a white backdrop. Here, your shadow becomes a moving installation. The exhibit mimics the colourful distortions that occurs when a lens fails to focus all colours of light onto the same spot.

“Woven” by Tangible Interaction is a series of arches, interlocking into one. The playful light patterns hop from arch to arch as you walk beneath them.

The “Lumière Block Party” by Public Disco is a licensed 3-day block party at Davie Village. Guests gather under a 80ft tent with smoke machines, disco balls, and strobing lights. Here there is a cash bar and seats to enjoy your beverage at. Or you can take your drink to the dance floor; and be inspired by the live dancer and DJ on the projected stage.

“Visitor” by Tangible Interaction was commission by the Toronto International Film Festival (TIFF) for digiPlaySpace. Covered in hundreds of responsive LEDs and proximity sensors, you are able to interact with this cloud through a button and a joystick.

Next on our “Lumière” tour was “šxʷƛ̓ənəq Xwtl’e7énḵ Square”, at the “Vancouver Art Gallery”. Here, You can show your love for our city, by posing next to the giant “<3 VAN” sign.

“Neon at The Post” is presented by “QuadReal Property Group”. They have a partnership with the Museum of Vancouver to bring back to life some of the classic neon signs that lit up Vancouver in the middle of the last century. These 3 signs are available for viewing at Lumière, before permanently lighting up public spaces at “The Post” (the site of the former Canada Post building downtown).

“Alternity” by Wiz (Roy Tremmell) is a branching tree of lights that speaks to the future. It gets you to consider how everyday decisions determines your path through an infinity of possibilities.

“Segmentium” by Adrian Wilson and Dayna Scodras is a kinetic art installation whose speed and rotating direction are computer-controlled, and responsive to the ambient temperature. It it meant to represent a connection to the outside.

“Steely T” by Hippo Love Creative Art Society is a giant turtle with a shell that strobes lights and shoots flames. Riders are able to hop on and take in all the sights from an elevated perch.

“Orchidelirium” by Alysia Crissman is 3 steel orchids sprouting out from the concrete. You are able to customize the blooms by using the colour wheel touchpads, to change the colours reflected on their petals.

“Daisy” by eatART is the world’s largest solar-powered tricycle, used as the platform for Sam Carter and Emily Cheung to perform opera on. The carriage is the stage with room for a DJ booth.

Special Performances at this site includes the above mentioned opera nightly at 7pm, with rotating DJs at 8:30pm.

Then it was back on to the trolley and down to the last stop: “Lot 19”. Named after the parking lot that is located under this plaza.

Tonight, hula hoop artists and jugglers showcased their craft with LED lit equipment.

“Telefunkin’ Shadow Stage” by Alejandro Samper invites spectators to step behind their giant TV and have their silhouettes projected on the screen on the other side. You are encouraged to get wild and animated with your movements.

“The Beating Heart” by Ron Simmer is a 250lb., half-inch thick reinforced fiberglass polyester resin, anatomically correct heart. It represents the fragility of life, personal connection, and togetherness. You place your hand on a sensor and it will detect your heartbeat, reflecting it, amplify it, and projecting the rhythm of it through LEDs inside the heart sculpture.

“Key to My Heart” by Shadow Puppet Productions is built as two giant antique skeleton keys and a lock. It allows participants to change the lights within the lock, with their touch. You place you hand in the mold. A pulse sensor within detects your heartbeat, and the lighting of the infinity mirror lock will sync and flash to your pulse.

“Lux Memoriae” by Ari Lazer is a collection of large and medium scale geometric lanterns. Each lantern is designed to explore the harmonic form as it arises in nature or through the fundamental principles of space.

Once again majority of these exhibits will only be around for this weekend: November 1-3rd. So be sure to take in the experience and get excited for November and all the beautiful lights to come. For more information and specific performance times, visit their website with the link below.

The Tours for the Recently Deceased, Beaumont Studios

I am excited to write about this one! This is a one of a kind interactive display, musical, cabernet, comedy show, haunted house, and dance hall; all in one. A performance like no other that celebrates the arts and Halloween across 13 spooky nights: October 18th to 27th from 7-10pm (11pm on weekends).

This is “The Tours for the Recently Deceased”, brought to the you by “Beaumont Studios” in partnership with “Dusty Flowerpot Cabaret”. This is the studio’s largest “most outrageous theatrical initiative to date”. My coverage is based on my media night attendance, where we were able to take photos and videos to help share this experience. Something that I am more than happy to do. I have honestly been raving about the following since its launch night.

I have never been to “Beaumont Studios” before, so this was just as much an opportunity to explore this shared space (I didn’t know this was even a thing), as it was to see the actors within them. The building is set up like “WeWork”, but for artists. “An open and supportive environment to cater to a wide variety of emerging artists and creative professionals”. Several studios/rooms under one roof: hair salon, mechanical garage, musical studio, art gallery, and fashion house; to name a few.

All together, a great location for the 13 nights of guided Halloween Tours. Which includes 8 audience participation performances, and the spooky Tim Burton inspired characters they are hosted by. You were not only able to engage with the actors and take part in the scenes, but can explore the elaborately deviated setting they were in as well.

Your journey begins as you check-in at the front counter. There, you are greeted by your “afterlife” caseworker, June. With cheek and humour she explains that you are dead, but can still escape the afterlife yet. You receive “your handbook”, which are a series of riddles to solve. One by one you visit each character listed and from them and their performance, you extract a clue. A number that correlates to a letter in the alphabet. And together they spell out a word, a password to get you into purgatory, and past that: the land of the living (aka the exit).

You are able to explore the rooms at your leisure and pace, in whatever order you please; even doubling back the way you came, so should you need to. I liked the freedom of exploration, and the choose your own type adventure that puts you in the shoes of the protagonist. Although letting a group of people loose in a limited space can become chaotic quick.

There were points where we didn’t know where to go. We found ourselves bumping into others, joining scenes mid way, interrupting performances/actors, and missing out on key narratives. But worst of all, we had puzzles solved by those before us. And for a completion-ist like myself, and those who are heavily invested in the experience, this takes away from its entirety. Not to mention we were scolded several times by the in-character actors, telling us that we weren’t suppose to be here. For a couple I couldn’t tell if they were acting or acting out. And that shift the mood. With no instructions and no guides, who are we the guests to know where we are suppose to be and when? Therefore, what I am proposing is set groups that roam the space together. Being ushered by a “tour guide” from scene to scene. You pause, solve any mystery as a group (escape room style), and enjoy the fullness of the show. After all, tickets are already booked in 20 minute intervals to facilitate this.

The following recap is in the order in which we experienced it. I will not be divulging too much detail as to what we saw. I don’t want to give away any of the suspense and surprise. Just enough to entice you to visit yourself. And at $30 per ticket ($25 for members) you well get your money’s worth. All the following to see and be a part of, and strategically placed snacks to munch on, along the way.

Please excuse the quality of my photos. I avoided using flash as to not distract the performers even more. It was also hard to focus on the moving actors.

A witch and the Headless Horseman gave you the scare of your life.

In the hair salon, Edward Scissorhands give you one heck of a hair cut.

We walked in on the Mad Hatter having his tea party. Alice and the white rabbit joined us around the table with cookies and mini cupcakes to enjoy.

There was also chips and salsa in the kitchen.

Outback, a mirrored maze stood between you and the Red Queen. She invites you to a croquet match, but on her terms. She supplies the balls and the flamingos.

I enjoyed the comedic stylings of the Penguin, and marvelled at the beauty of Cat Woman and her flexibility.

The Corpse Bride was an amazing singer. She sang of loved lost and curses broken.

Meat Pie was on the menu in Sweeney Todd’s barber shop. A saucy baker gave us a memorable cooking lesson. She also let us in on the secret ingredient in her famous pies.

While Sweeney himself offered guests free shaves. All in a studio of an artist that makes knives, how fitting.

Also roaming around were a host of characters that could help and guide you on your journey in the afterlife. Like Jack Skellington and Sally from “A Nightmare Before Christmas”.

Along the way, each connecting hallway or corridor was just as elaborately decorated. Be it a mystical wonderland or a spooky scene. Plenty of photo ops and backdrops to take advantage of.

And if you make it through this choose your own adventure theatre experience, you meet the ghost with the most himself: Beetlejuice. Purgatory’s most entertaining and most mischievous DJ.

With a cash bar and an open dance floor, visitors are invited to get down and boogie with all that go bump in the night. Admission includes a complimentary drink ticket to get you started. Exchange it or cash for soda, water, beer, wine, or highballs.

In conclusion, for those who like the macabre and art that is off the beaten path, this is for you. Hands down my favourite Halloween experience for this season and year, and one that I highly recommend. A great first of its kind event, that already has me looking forward to next year’s assembly. Get your tickets now with the link below!!

316 W 5th Ave, Vancouver, BC V5Y 1J0
(604) 733-3783

Vancouver Theatre Sports League goes Back to School

September has hit and the feeling of “back to school” came with it. And tonight we would be living it at “Vancouver Theatre Sports League”.

We planned the evening around our live show, and to get us in the mood started with happy hour and some drinks at local Granville Island restaurants. Already pretty funny, drinking does help along the experience. It gets you to let your guard down and get into the participation process of the night. Especially helpful for myself, as for the first time I volunteered to be part of a skit; and I was asked to be one of the judges for the entire show. One of three with laminated numbers ranking the performers on their comedy. One being the lowest, 5 the highest.

The stage is set up as the halls of a school. A grey backdrop with metallic gears bathed in neon lights. Our host was the gym teacher. He introduced himself and set the tone for the evening. Two rival teams, two different cliche high school cliques. Both completing in the following improv games, with the goal of winning a fictitious $100 prize. The “rebels” who were “too cool for school”, and more concerned with repairing motorcycles than anything else. And the glee club with an ambitious leader, that lead her trio in cappellas that reflected their situation. As great as these two group and there actors were, be warned each night is a different cast, with different characteristics. Similarly, all the games would be different. Therefore you needn’t worry too much about spoilers here.

Different from night to night and from last year’s rendition. Tonight’s competitions included a game where the audience suggests themes and the actors play off of it, scenes where our improvers sang their made up lines, and one where they popped on and off stage depending on the noise that rang. Here, they had to find a reason why they left or came back to the scene. One of the funniest was when one actor changed his character’s emotion based upon another’s request. Excitement, anger, sadness, and uglier sadness. This one had me tearing up.

The one I was a apart of had me standing on stage, adlibbing words into the actor’s conversations, when I was pointed to. One word responses like “scab” and “turtle” (which I actually used and was not an easy fit in to their “crime scene” scene) Although speaking from experience, it is hard to keep it one word at a time. I found myself offering phrases and the improvers rolling with it, but commenting on the fact that it was two or three words long. This added to the laugher from the audience.

In short, a great night. I have yet to be disappointed by any of the “Vancouver Theatre Sports” improv performances! So, if the fall weather and the thought of “going back to school“ has you down, I definitely suggest taking a trip down to Granville Island and laughing until you cry; helped along with wine from their in house bar (true story). For show times and how to get your tickets visit the link below.

Neil Macrae Bar & Lounge
1502 Duranleau Street, Granville Island


Improv Mondays with Michelle, Vancouver Theatre Sports

At this point I have been to a handful of improv shows, so I am not exaggerating when I say this has to be my favourite one to date. As our host of the night so aptly claimed, “this is the most fun you’ll have on a Monday night”.

Tonight was the first of many Monday performance to come, hosted by “Michelle”. This was her show, featuring actors she hand picked to work with. Essentially each challenge and scene was in the form of a familiar improv game. And with the audience’s suggestions our performers injected humour into every day people, places, and things. The only and most important difference was Michelle. She set the tone and the pace, really elevating the stage presence.

She was the hostess with the mostest, and this is the first time I can actually utilize that saying fully. She caught your attention with her elegance in sequin gowns and retro shoulder pads. They paralleled her bougie persona and dry humour. She had quick quips and great reactions to suggestions, and even her expression to her actor’s ad libs added to the over all performance. I don’t want to spoil the whole character for you, but I wish it was her actual personality, because it was larger than life and one that I aspire to.

To start, she welcomed the audience up by assuring us that we were at the place to be on a Monday night. And that drinking was the right course of action, as she herself threw back a cosmopolitan cocktail. Then she got us warmed up to improv by having us shouting out our names and favourite foods.

From there, she set up scenarios and threw curve balls for tonight’s actors. Act one had our players unable to look at one another, unless music was playing. Another game had them freezing in place at random, and taking over for one another, keeping their positions but changing the scene. I was especially impressed by their “four square” match. A game that had all four actors switching scenarios with rapid fire speed, backwards and forwards. This was a great way to see their talent and ability to think on their feet.

Act two had Michelle highlighting her improv chops in a group scene. Here, each player took on multiple roles and they tried to trip each other up. There was the suggestion of intense dialogue between two characters, played by the same person. And for individuals to give long winded explanations told through song. The scene was set with the audience’s suggestions and drama ensued. Tense music and elongated pauses. Secret romances and drug fuelled story lines. All the above a sneak peak at Michelle’s other acting project.

Tonight was the perfect platform for you to fall in love with her character and want more. The perfect time to introduce you to her YouTube web series. A comedic drama that takes place in the “fast pace” night life of Hope, BC’s restaurant scene. If your aren’t able to check out any of the upcoming shows on Monday, you should at least see what you are missing. The entire first season has been uploaded with the link to the first episode below. Spoilers, the ex is back in town with his new girlfriend and is coming for Michelle’s restauranteur crown.

Overall a great night of improv with a show worth checking out, a character worth visiting, and the most fun you’ll have on a Monday.


Neil Macrae Bar & Lounge
1502 Duranleau Street, Granville Island

Vancouver Opera Festival launch: VOX

Today I was invited down to Queen Elizabeth Theatre for the launch of the 3rd annual Vancouver Opera Festival, and 1st annual singing competition: VOX. Many young singers across Canada auditioned, and they managed to dwindle this number down to eight to compete. Eight future opera stars from across the country, competing for cash prizes and recognition on Vancouver’s large stage. A decision as voted by six judges and the entire audience. A panel of esteemed judges chaired by Music Director Emeritus, Jonathan Darlington. And we, the live audience voting for our favourite singer.

Attendees gathered prior to the show for a cocktail reception. The bar poured glasses of sparkling non stop. A pop and a fizz to get the night flowing.

You couldn’t bring glassware into the auditorium, but beer or wine in plastic sippy cups were fine.

And to keep you balanced, servers offered up small bites on slate trays. Like this tomato bruschetta on a crostini.

Seared tuna on crispy wonton skin.

And chocolate covered strawberries in milk and white chocolate.

Then when 6:30pm neared, we were invited into the auditorium for the live competition. Where I got my first taste of live opera and the ability to live out my “America’s Got Talent” dream as a judge.

The first performance got the pace going. Shantelle Przybylo was energetic and welcoming in her singing.

By comparison Amanda Perera was soft spoken. Her voice didn’t project the same and I couldn’t properly take her range in. But she was stunning, and great to watch; with her body motions matching the intensity of the effort she put into her singing.

I like having a male voice next for contrast: Ryan Nauta was mellow and smooth, and he sang us a smoothing ballad.

Joé Lampron-Dandonneau was another male voice, giving us a Tenor with more range.

Ana Toumine was a Soprano with powerful vocals. Though that broadcast came at a cost. You could hear the quick breaths and at points her being out of breath. She also showed off her ability with plenty of high to low notes in her choice of music. It was certainly interesting to listen to.

Sarah Bissonnette, a Mezzo, sang the happiest of all the tunes. It was upbeat and loud to start, really drawing you in. And the humorous gestures and quirky quips in piece kept you wanting more. She also choose the best song to showcase her skillful voice manipulation, and proved that the choice of song can determine a win.


Elizabeth Harris, a Soprano, too choose a difficult song. This one also showcased her ability to hit high peaks and low dips. Like her out reaches arms, her voice called you and pulled you in. Her mystical melody make me think of the ones mermaids would call out. Especially when the accompanying piano stopped playing and only her voice rung out through the hall.

Our last performer, Zainen Suzuki was a Baritone. I enjoyed how animated his facial expression were. They brought me into the story he was telling. And the audience gave him the loudest clap for it.

Next came time for us to vote, using hand held remotes, we keyed in our pick by number.

And while the judges deliberated we were serenade by Vancouver’s own Erin Wall, Canada’s leading opera singer. She melted so much through her facial expression and hand movements, that she had to stabilize herself against the Stanley and sons piano.

In the end Elizabeth Harris won third place. Second went to Ana Toumine. And for both first place and people’s choice, the win went to Sarah Bissonnette. Winning $5k and $2.5k respectively.

This was just the beginning of the night, as Vancouver opera’s signature fundraising event. A handful of attendees also purchased dinner tickets that began when the competition ended, and the curtains on stage lifted to reveal a banquet hall set to serve.

In short, this was a very nice way to kick start Vancouver’s Opera Festival, a taste of what to expect, leaving you wanting more. For all other showings and all opera fest events, and how to get your tickets, visit the link below soon to not miss out. This year’s theme is fables and fairytales, as told through visual, musical and theatrical arts.

Vancouver Opera Festival creates extraordinary experiences that redefine opera. Running from April 27 to May 5, the annual festival features nine days of operas, concerts, and free events. Explore #VOFest and buy tickets at

Titanic the Musical, presented by the Lindbjerg Academy

On the anniversary of the Titanic‘s sinking I was invited down to the “Shadbolt Centre for the Arts” for a special musical performance.

This was only the second time that the five-time Tony award winner, “Titanic the Musical” was coming to Metro Vancouver. During this occasion it would be preformed by 27 locals from “Lindbjerg Academy of Performing Arts”, under the direction of music theatre instructor, Mark Turpin. This show ran from April 12 – 14, 2019 and I had the privilege of taking in the second day’s showing during, its matinee performance.

About Lindbjerg Academy of Performing Arts as taken for their website. “Lindbjerg Academy is a performing arts centre dedicated to teaching the art of musical theatre, dance, singing and acting. Classes are open to all different levels of ability and children between the ages of three to 18. For more than 20 years, Lindbjerg Academy has taken pride in the fact it is not only a centre where children learn the skills to perform, but also a place where those skills are applied and enjoyed. The school is parent-participation focused and offers volunteer opportunities throughout the year to ensure parents can share their talents and feel engaged with every show the school delivers.”

The Lindbjerg’s production of “Titanic the Musical” was as authentic as possible to the original Broadway production. One that was eclipsed by James Cameron’s blockbuster that centred around the fictional love story of Jack Dawson (Leonardo di Caprio) and Rose DeWitt (Kate Winslet).

This shipwreck story began as a vision of the shipbuilder and the pride he felt seeing its fruition, from page to metal sitting at a dock.

The production moves pretty quick from scene to scene and song to song. It follows the view points of a handful of characters and tells the story of the ship’s triumphant maiden voyage through their wide eyed wonder.

Irish immigrants looking for a new life and their chance to recreate themselves in America. A second class passenger wanting more for herself, starting with the ability to hob-nob with the elite welcomed into first class. A worker in the boiler room longing to complete this journey, in order to be back in the arms of the woman he wishes to marry. And the captain under the pressure of the ship’s financier, wanting the ship to push harder and travel fast than any others before it.

Given that this is the story of the Titanic, we all know what happens with the ice berg, therefore I won’t go into detail recapping it. But with this retelling you get more characters, more story lines, and more of the actual logistics of its travel then from Leo and Kate’s rendition.

Naturally, the performers were much younger than the historic characters that they are depicting, but with accurate costuming and the right props they were able to draw you into the illusion. These rising stars spent the greater part of seven months working hard to reproduce this show, to capture the real chronicles of the actual passengers and crew on the Titanic. Studying music and lines, and memorizing choreography. They even studied the passengers in-depth and even went to the Titanic exhibit that was on display in Metro Vancouver for inspiration.

It was my first foray into this world, and I was glad it was on a topic that I was already family with. This and other shows at the “Shadbolt Centre” are a great way to support local talent, and a way to take in the Arts in Burnaby. This was a great experience and a great performance. And best of all, during the intermission they do open up the drink bar, where you can order a glass to help better immerse you into this sing-song world.

For more shows and their next big project visit the link below.

What’s Happening!


OK Tinder – Swipe Right Comedy, Vancouver Theatre Sports

Who has yet to watch “Vancouver Theatre Sport’s League’s” “Merry Kiss-mas” performance? If you haven’t I suggest you do. And if you have, I suggest going back again, as I have first hand information that it does hold up a second time!

I am always pitching for viewers to return and watch their favourite improv shows again and again, and for the first time I have found one I wanted to go back for more of. Not only to get a second dose of Yuletide comedy; but I was curious to learn how much of the show is scripted, and how different one can be from the next. Tonight was my chance with a double feature. I was back for a second round of “Merry Kiss-mas” and followed it up with more tongue and cheek, from their rated PG 17 show of “Ok Tinder”. And here, I didn’t know there were ratings for an improv show and wanted to explore that “x-rated” world a little more. Each show I have watched is already so funny without the reference of sex and the absence of comedically timed swears. Therefore I could only imagine how much more relatable the actors would be, being able to let lose and speak to anything that pops up into their mind. No children in the audience means no filters needed, which is true improv in my opinion.

But first, for my original review and experience of Merry Kissmas, check out the link below; as I will be comparing it to my notes below.

Merry Kiss-mas at Vancouver Theatre Sports League


In “Merry Kissmas” they reference romantic Christmas specials and take queue for each skits from them. So each performance and every improv “game” within it, plays upon a whole new set of romantic comedy and classic Christmas stories. I found myself laughing just as hard with the new actors, new themes, and new jokes. Even the last half of the evening, where one person had a romantic comedy crafted around them felt brand new.


As for the “OK Tinder – Swipe Right Comedy” I have a few notes. The show is only 60 minutes long, and is only available Thursday night at 9pm. You can either stop by after dinner for a light laugh, or did what we did and tack on this additional 60 minutes after the main show, show. Doing so gave us more time for my girl friend and I to enjoy a bottle of wine and some snacks that we purchased from the in house concession. The bbq peanuts, chocolate covered nuts, and gummy bears went down quick, as the jokes only got funnier, and we got hungrier the more we drank.

“OK Tinder – Swipe Right Comedy”, is described as “60 minutes of fast-paced, no-holds-barred comedy looking at the good, bad and the laughable of Vancouver’s dating scene”, (according to their website). Although I found the topics and the themes were simply discussing dating and romance in general. Whereas given the name and the blurb above, I expected more humour derived from the use of dating apps, more jokes at the expense of those on such apps, and just stereotypes about using it in Vancouver’s specific dating pool.

I wanted Vancouver’s bleak dating scene as told through improv! Where were the jokes about “Tinder” being just hook up app? The actors (which were mostly different from the ones on earlier) could have created funny dating profiles using audience members suggestions (although during this performance our full house turned into 5 tables full). Maybe they could have done a skit of what’s it like to date some one from Yaletown versus Commercial Drive? Or maybe create pick up lines using puns? What about acting out scene of weird, made up fetishes as recommended by the audience? Given that it is on much later, that it is marketed as an adult only event, and the topic matter: I almost expected more on sex and some fowl language to perk our ears up. I recall there being just the one f-bomb.

Although, overall as a show it was still hilarious. There was a game where everyone was finishing each other’s sentences. And a round where the players on stage used a collection of audience member’s items to create a scene. Every show I have seen has always been consistently good. I have yet to have a bad time or leave without tears in my eyes and an ache in my belly from laughing. Improv shows are truly one of the great past times our fair city offers, and not enough people take advantage of it. Skip movie night next week, and instead head over to Granville Island for some live action humour and suspense.

To purchase your tickets visit the link below.

Ok Tinder – Swipe Right Comedy


Merry Kiss-mas at Vancouver Theatre Sports League

Getting some Yuletide cheer at Vancouver Theatre Sports~

Christmas means so many things to so many people. Fond memories reflected on and created around all that this season embodies: from lights to food, characters to presents. And today we were down at “Vancouver Theatre Sport” (VTSL) to celebrate all the romantic Christmas specials that air on repeat this time of year. Apparently “Hallmark” does majority of them, playing out the classic will she or won’t she tropes with everyone pairing up by the movie’s end. And leave it to “VTSL” to find a way to turn these movies that make your lips quiver and your heart flutter into a laugh out loud fest. Aptly named “Merry Kiss-mas”, the performance left me with tears in my eyes. Not heartfelt water ducts of emotions, but ones of unbridled laughter as audience participation was key, and the engagement the best during these skits.

In line with this theme “VTSL” even made a trailer for their highly anticipated performance. One that you can hype yourself up to, by checking out the link below. The link also includes performance dates and how to get tickets to this seasonal show, running from November 21 through to December 24th.


The evening’s host was also the performer that created the entire format for this show. She was the one to pool her favourite romantic Christmas specials and build skits round them. Each “activity” or classic improv game that was acted out, was base on one of these “Hallmark” movies. In fact, the real version of the replicated gazebo that was part of this intricate set, has been featured in many, if not all of them. The entire stage was a whimsical recreation of a sleepy town. A hand painted town that included a grocery store and a town hall. Each “building” was snow trimmed and lined with blinking lights.

As to not ruin the surprise, I won’t go into details of the actual performance. Although that being said and this being improv means that there are no two shows alike.

Audience members typed out lines for the actors. A pair became hands and one scene that required gift wrapping. And during the second half of the show, they asked for a volunteer to star in their own Christmas romantic comedy! I am a little too shy for the above, plus prefer to laugh at everyone else’s attempts.

In short, with a well stocked bar and the ability to bring your glass in to the theatre, “Merry Kiss-mas” makes for the perfect after dinner, date night activity. And if you have the time I suggest rounding out your night of romance with their “OK Tinder – swipe right comedy” show, that runs for 60 minutes after. It pokes fun at Vancouver’s dating scene, highlighting the apps that are transforming the way we find love in the city. For more information on it and to buy your tickets online, check out the link below.

Bacio Rosso: Gourmet Cabaret Cirque

I first saw adverts of this show on the Granville Street bridge. Red flags spelling out “Bacio Rosso” flapping in the wind. Without any additional information, I pulled out my phone and went on goggle. My search yielded “Cirque, Comedy, Cuisine” and I was intrigued.

This would be the first time this cabaret is making its appearance in Canada. And from Late October to Mid December you can see it for yourself. Tickets are available online and do cost a pretty penny depending on where you want to sit. The tables closest to either the musical stage at the back, or the centre stage in the middle cost the most. The further back you go the less expensive the tickets go. A difference of $120 from most priciest seats to the least.

$199 gave you premium booth seats, lined up around the centre stage, at the very edge of the tent. Each booth is named after a major city, and you get it and the space for your group alone. All other tables had you sharing, depending how many were in your party.

$159 gives you a premium seat around the centre stage. This is where you want to be sitting in my opinion. Continually, any audience participation was selected from this area. The same faces played parts in skits, and the same faces also got to be volunteers for the magic show.

And here I was paying top dollar at $239 with a $10 fee for my seat. (All the other seatings were charged the same $10 fee as well.) Having paid the most, I expected more. But I wasn’t even able to choose which table I would be seated at. It was one of four tables in an general area between the centre ring and the back stage. And sadly we were at the ones closest to the back stage, whereas majority of the action was at the centre stage, with their back towards us. At least we were in prime position to catch the action and food coming out from said back.

There is also regular booth seats for $149, these were a little closer to the back stage, with less visibility. And the “stage booth” at $119. This was the least expensive, and in my opinion, the worse seats in the house. Here, you could hardly see the musicians playing, and centre stage felt like a world away. Heck, one of the performers even called the patrons seated here “the three blind mice”.

At the end of the day you are here for the show, as the food isn’t all that memorable, not to mention you get the same three courses no matter where you are seated. Therefore, I say spend more for the best view, because anything else would be a waste.

And speaking of that view, the following is a brief recap of my experience and some photos I have taken to showcase the mood. Take them in to get yourself excited, but truly, nothing compares to trying it for yourself first hand.

Not to spoil anything, as each show is pretty much the same in terms of plot, performances and transitions, but with the occasional ad lib. “Bacio Rosso” is a three-hour performance that features artists from around the world, including magicians, jugglers, trapeze artists, contortionists, clowns, singers, and comedians.

This rehearsed show has the feeling of improv; with all of the above engaging in the audience whenever they can. This brings you, the diner and viewer, deeper into the magical world that is self contained under this red tent. “Red” like the “kiss” in their name.

The show is set around the eccentric owner and operator of said tent, and her long lost brother. Together with their crew of servers and hosts they entertain with much humour and theatrics, set to perfectly cued live music.

Be warned, given that this tent is a pop up, the bathroom was like a Porto-potty of sorts. With no actual plumbing it smelled like an outhouse: a mix of strong cleaning chemicals and waste. But constructed with proper walls and running water for the sink.

Thankfully this was the case, as we found ourselves ordering and drinking wine by the bottle. Bottles that were recommend by our server, so that we could top ourselves up more frequently. The show is respected and to not block anyone’s view from the live action, the ordering of any drinks must be done in between sets. So having a bottle means more booze at the ready.

Dinner is four courses prepared by “La Quercia’s” Adam Pegg, an award-winning Vancouver chef who specializes in Italian cuisine. Once again, it doesn’t matter where you are seated, you get the same starter, appie, entree, and dessert no matter how much your paid for your entry. But sadly given that I paid the most, this didn’t feel like a $239 + $10 meal. Thankfully I was drinking plenty and the show had me engaged and distracted from the meal below. I found myself not finishing my food, more enthused by the show, which is a good thing. I didn’t stop laughing or smiling.

Please excuse the colour of my photos as the tent is strobed in colour and everything at our table was tinted red. And without a menu or a mention of what we were having from the servers, who dropped off plates with speed and ease, I am guessing on the below.

The first course was sliced pork with a salty tuna-fish-like spread, and a crispy pork rind.

My guest doesn’t eat pork, so got a lightly dressed bland salad instead. I was not impressed by this, given the price we paid.

Next, everyone got a bean lasagna. I found the whipped smooth paste over the tender noodles not an interesting mouth feel. It could have also used more salt and cheese to give the lasagna some punchiness. I would have preferred this prepared like a regular lasagne with tomato sauce, herbs and cheese (if they can’t use meat), at least I would have known what to expect with it and it is comforting and filling. This version left me wanting more.

The main course is also how you purchase your ticket: by choosing your entree between the vegetarian entree, the chicken or the beef. In hind sight, I should have gotten the “Polenta al Funghi”, Polenta and mushrooms dish as I feel that it would have been the comforting and filling plate that I wanted above.

The “Rosticciata di Manzo” is slow cooked tender beef with root vegetables in jus. It was a little salty, and the flavour a little bland.

I preferred the chicken a lot more. “Pollo in Umido” with roasted squash. The herbed seasoning was familiar and tasty.

I found the dessert too tart for my tastes, but at least the creamy panna cotta and raspberries was a refreshing way to end our meal.

In short, this was a great show that should not be missed. Come before the end of December for the entertainment value and the laughs. Come early and order a bottle of wine to pass the time, and to be immersed all the more. But maybe snack a little at home first?

Be warned there is no exact address, so to get here you are basically entering Queen Elizabeth Park from Cambie street. You follow the numerous small and dark erected signs and their red arrows to the beacon of lights that is the tent and the lively music that is coming from within it. Parking is any that you can find along the path, which requires a trek after. We hailed a cab and it wasn’t any easier, as both drivers that took us there and got us home, didn’t know where in Q-E to go.


Wednesday to Sunday from October 28 to December 31, 2018
7-10pm Wednesday to Saturday and 8-11pm on Sunday.
Queen Elizabeth Park in Vancouver.
4600 Cambie St, Vancouver BC, V5Z 2Z1
Tickets are available online from $119 to $239.

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